A verse tragedy by J. C. Gottsched, published in It is compounded out of two foreign tragedies, Joseph Addison’s Cato () and the Caton d’Utique. Der sterbende Cato. Ein Trauer-Spiel in Versan. Aufgeführt in Wien Image from object titled ‘Der sterbende Cato. Ein Trauer-Spiel in Versan. Johann Christoph Gottsched: Der sterbende Cato. Ein Trauerspiel Entstanden: Erstdruck: Leipzig (Teubners Buchladen), Uraufführung Januar .
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Der Sterbende Cato (Grossdruck) : Ein Trauerspiel
LeipzigElectorate of Saxony. From Wikipedia, the free encyclopedia.
As examples, they pointed to English poets, especially Milton. Views Read Edit View history. New International Encyclopedia 1st ed. In other projects Wikimedia Commons. His first wife, Luise Kulmus was also a prominent author.
Johann Christoph Gottsched – Wikipedia
Johann Christoph Gottsched 2 February — 12 December was a German philosopher, author, and critic. In his efforts toward the reformation of the German drama, Gottsched was aided by his wife, Luisea prolific writer and translator, and had the cooperation of the theatrical manager Johann Neuber and his wife, Caroline.
She died in But by his sterbendde years, his name had become a by-word for foolish pedantry.
After a three-year mourning period, in in Camburg SaaleGottsched married his year-old second wife, Ernestine Susanne Katharina Neunes — Directing his criticism at first chiefly against the bombast and absurd affectations of the Second Silesian School, he proceeded to lay down strict laws for the composition of poetry. Gottsched wrote the texts of two secular cantatas by Johann Sebastian Bach: He refused to recognize the work of Klopstock and Lessing.
He insisted on the observance of the dramatic unities.
They succeeded indeed in bringing about a considerable change in the condition of the German stage by substituting for the prevailing operatic performances translations of French dramas and original plays, and by banishing from it forever the coarse buffooneries of Hanswurst Jack Pudding.
For about thirty years, he exercised an almost undisputed literary dictatorship in Germany. Inhe fell out with Caroline Neuber regarding practical stage matters, and even placed himself in opposition to his wife. In Leipzig, he enjoyed the protection of J.
Der Sterbende Cato (Grossdruck) : Johann Christoph Gottsched :
Retrieved from ” https: Of this society, Gottsched was elected “Senior” inand in the next year reorganized it under the title of the Deutsche Gesellschaft.
Under the influence of Addison and contemporary Italian critics, they demanded that the poetic imagination should not be hampered by artificial rules. He wrote several plays, of which Der sterbende Catoan adaptation of Joseph Addison ‘s tragedy and a French play on the same theme, was long popular on the stage.
Eventually, Gottsched went too far in his criticism. He died in Leipzig at the age of